婴儿入侵 yingerruqin

“This is Home Invasion,” Korine says, pointing at a computer monitor inside the house. On the screen plays security-camera and GoPro footage of masked men and women, wearing horns, rampaging through various Miami McMansions, tying up various innocent-looking families. “We’re trying to gamify movies,” Korine says. So Home Invasion is designed to look, at times, like a first-person shooter video game, blending cinematic storytelling with interactive, chaotic energy. The footage cuts between the intruders’ frenzied destruction and the terrified reactions of the families, creating a visceral, unsettling experience. Korine explains that the film blurs the line between reality and performance, with some scenes staged and others captured spontaneously. The result is a raw, immersive experiment that challenges traditional narrative structures, pushing the boundaries of what a movie can be. The project aims to evoke the adrenaline of a video game while maintaining the emotional intensity of cinema, leaving viewers questioning the nature of spectacle and violence.
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