我们与俄的距离 womenyuedejuli

Askold Kurov's bold and compelling documentary, *Of Caravan and the Dogs*, chronicles the erosion of press freedom in Russia in the run-up to, and during, the invasion of Ukraine. With unparalleled access, the film follows a group of independent journalists and activists whose criticism of the war in Ukraine leads to their censorship, persecution, and eventual exile. ‘There's such a thing as self-respect,’ muses one journalist in a tense staff meeting called to discuss the ethics of publishing under new, draconian censorship laws. Structured around a countdown to war, the documentary intercuts these fraught editorial debates with scenes of Russian police raiding media offices, televised propaganda broadcasts by Putin, mass protests across Russia, and harrowing on-the-ground footage from Ukraine under siege. The film captures intimate moments of defiance and despair as journalists wrestle with the moral weight of reporting under escalating state repression. It lays bare their impossible choices—whether to self-censor, flee, or risk imprisonment—while exposing the broader crackdown on dissent within Russia. Through raw interviews, clandestine recordings, and smuggled footage, *Of Caravan and the Dogs* reveals the machinery of state propaganda and the human toll of authoritarianism. A poignant exploration of personal dilemmas under repression, the documentary also offers a rare glimpse into grassroots resistance within one of the world’s most closed societies. It stands as both a vital historical record of Russia’s descent into militarized autocracy and a stirring tribute to those who continue to speak truth to power, even in exile. The film’s unflinching gaze makes it an essential testament to courage in the face of eroding freedoms.
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