我最大的敌人

　　Mehran Tamadon explores what it was like being interrogated by the Iranian regime by asking prisoners to reconstruct their experiences. 　　Alongside his companion film Where God Is Not, My Worst Enemy finds Tamadon shifting focus from the interrogated to the interrogator. The filmmaker sought an individual who had been interrogated by Iranian authorities in order to draw on their experiences to play an interrogator. The role finally fell to the Cannes-winning lead actor of Holy Spider, Zar Amir Ebrahimi. Together in an anonymous room, with Tamadon stripped to his underwear, they reconstruct the interrogation process, which gradually becomes an examination of the nature of power and coercion. The resulting film is intense and, at times, uncomfortable. And as it progresses, My Worst Enemy becomes an exploration of cinema’s relationship with its audience, questioning whether there is a limit to what it can show. 　　The film delves into psychological and physical control tactics used during interrogations, blurring the line between reality and performance. Through raw and unfiltered reenactments, Tamadon exposes the mechanisms of fear and dominance embedded in authoritarian systems. The dynamic between him and Ebrahimi evolves into a power struggle, mirroring the oppressive structures they critique. 　　My Worst Enemy challenges viewers to confront the ethics of witnessing trauma on screen, pushing boundaries of cinematic representation. It raises profound questions about complicity, resistance, and the role of art in documenting oppression. The film’s minimalist setting amplifies its emotional impact, creating a visceral experience that lingers long after the credits roll. 　　By merging documentary and fiction, Tamadon crafts a provocative meditation on truth, memory, and the limits of storytelling under repression. My Worst Enemy is not just a film about interrogation—it is an interrogation of film itself.
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