
After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, reconnecting with fragments of his past and slipping further from his present responsibilities. The familiar comforts of childhood begin to blur the lines between nostalgia and escape, forcing Mikey to confront the fears and uncertainties he’s been avoiding. His wife’s patience wears thin, his father’s skepticism turns to confrontation, and even his mother’s indulgence shows cracks. Trapped between the safety of the past and the demands of adulthood, Mikey must finally decide whether to step back into his life or remain forever suspended in the boyhood he can’t let go. The film explores themes of arrested development, familial bonds, and the painful transition into maturity, culminating in a poignant and unsettling examination of what happens when a man refuses to grow up.

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