外部空间

Guy Maddin writes, "Tscherkassky has made two films cannibalizing Sidney J. Furie's 1982 Barbara Hershey horror film THE ENTITY, the story of a woman who is continually assaulted and raped either by real ghosts or by awfully adept repressed traumas… The screen literally explodes with a tumult of Hershey faces, shattering Steve Burum's original cinematography into shards of frightened eyes, trembling hands and violent outbursts of self-defense, presented in multiple exposures too layered to count, too arresting to ignore." Tscherkassky's experimental approach deconstructs the original narrative, transforming it into a visceral, almost abstract meditation on trauma and perception. Through rapid-fire editing, optical printing techniques, and radical recontextualization of the source material, he amplifies the psychological horror of Hershey's performance, pushing the imagery to its limits. The result is a disorienting yet hypnotic collage of fragmented movement and emotion, where the boundaries between reality, memory, and hallucination blur. The film becomes less a story and more an immersive sensory experience, forcing the viewer to confront the raw, unfiltered intensity of its central themes.
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